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	<title>Comments on: Tonality</title>
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	<link>http://www.yourforte.net/tonality.html</link>
	<description>Anything to do with music</description>
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		<title>By: Elaine</title>
		<link>http://www.yourforte.net/tonality.html/comment-page-1#comment-53</link>
		<dc:creator>Elaine</dc:creator>
		<pubDate>Sun, 04 Jan 2009 10:15:48 +0000</pubDate>
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		<description>I think for &#039;art&#039; music the age of functional harmony has well and truly passed. But I think composers are starting to find their way back to the triad. It seems random to use a system of 12 notes, which clearly arose out harmonic properties of tones (that is, the harmonic series), to write atonal music. I find one of the few contemporary composers who really moves my soul is Arvo Pärt. His music shows us - again - the beauty of the triad.</description>
		<content:encoded><![CDATA[<p>I think for &#8216;art&#8217; music the age of functional harmony has well and truly passed. But I think composers are starting to find their way back to the triad. It seems random to use a system of 12 notes, which clearly arose out harmonic properties of tones (that is, the harmonic series), to write atonal music. I find one of the few contemporary composers who really moves my soul is Arvo Pärt. His music shows us &#8211; again &#8211; the beauty of the triad.</p>
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		<title>By: Philmus</title>
		<link>http://www.yourforte.net/tonality.html/comment-page-1#comment-26</link>
		<dc:creator>Philmus</dc:creator>
		<pubDate>Mon, 13 Oct 2008 18:44:03 +0000</pubDate>
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		<description>At the risk of sounding facetious, music will evolve in its own way.</description>
		<content:encoded><![CDATA[<p>At the risk of sounding facetious, music will evolve in its own way.</p>
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